Monthly Archive for May, 2006

All the Same – No Difference

I find myself in a room which is neither large nor small, neither attractive nor unattractive, neither interesting nor uninteresting, neither comfortable nor uncomfortable. The ceiling is high, the walls are lined with books, and there is a long, bare table in the middle. I am vaguely aware that this is a library, but the lighting is dim, there are no chairs, and I am certainly not in the mood for reading at the moment. It dawns on me that there appears to be no reason to linger here, and I spend some moments deciding whether to stay in this room or go somewhere else.

What makes me hesitate is a vague feeling that something is supposed to happen here, as if I have some kind of appointment which I will miss if I leave. This process of vacillation causes me to remain in the room a little longer, and an older man enters. Something about his presence immediately gets my attention, and I know he is a guide. It is a quality of congruence. There are no contradictions in his being, and he acts directly from his core in the moment. He clearly has a mission and a message, but I am full of questions. I feel like this is my big chance to satisfy my curiosity, but he doesn’t seem interested, as if my questions are merely side tracks leading away from the moment.

I say, “Wait a minute! Just moments ago, I was alone here trying to decide whether to stay or go, and then you showed up. But it was only the vaguest awareness that made me stay!” I am fascinated by the idea that I could easily have missed this meeting. I want to know how all this stuff works. He appears uninterested in my questions, and simply stays on course, moving ahead with his purpose. I make another attempt: “Hold on a minute. Isn’t there a connection between the dead and the living, between this world and the spirit world?” Now I have gotten a reaction. He seems to show distaste for the term, “Spirit World.” It flickers momentarily across his face. Then he chooses his words carefully: “There is no difference.”

Instantly, I see what he means, and why my questions are irrelevant. Dead or alive, awake or asleep, we face the same challenge. It’s all the same, and there is nothing to do but awaken to the entire thing and deal with it directly. There is no explanation that will help, and no “Time Out.” I tell him I want to build a big live/work studio that I own. He takes my hand and we go flying through beautiful trees down a long, steep hillside in a wealthy part of Oakland. I am filled with inspiration about accepting the challenge of my life and living my purpose. As we fly through the trees, I notice the leaves turning colors, wonderful colors, lilac, orange and olive, dry and lacy against the pale autumn sky.

Interpretation: It is more important to respond to communications from other dimensions than to ask what is happening, how it works, or if it is real.

The First Dream

A motorcycle cop kneels by a night highway

The First Dream

This is one of the earliest dreams I still remember:

By the side of an asphalt highway, I see a motorcycle cop standing before his enormous Harley, which is leaning on its kick stand. He wears a somber midnight blue uniform and dark aviator sunglasses, with their visual hint of skull eyes. Without a word, he drops to one knee and picks up the edge of the road like one would lift the edge of a rug. Underneath the highway is a sea of blood in which human bones and dismembered body parts are floating.

Interpretation: I’m not sure exactly how old I was, but I am guessing 8 or 9, because the highway was not a huge freeway, but more like the 2 lane asphalt highways in Idaho that were my image of a major road in my childhood.

The imagery was beyond my grasp as a child. It just felt scary. It didn’t occur to me until much later that this was my first encounter with a guide who showed me a truth about this world: Our civilization and way of life is built on murder and corruption. The sunlit world of speed, convenience and ease has its price in blood and death.

I see a parallel between this figure and Buddha calling the earth to witness, though I am not sure why. Oddly enough, the pose was the same as the Great Goddess which I composed in 1987:

Guardian Initiatrix